Director: Dan Gilroy
Cast: Jake Gyllenhaal, Rene Russo, Riz Ahmed, Bill Paxton
Screenplay: Dan Gilroy
117 mins. Rated R for violence including graphic images, and for language.
- Academy Award Nominee: Best Writing, Original Screenplay
In Dan Gilroy’s directorial debut, Nightcrawler, we meet Louis Bloom (Jake Gyllenhaal, Donnie Darko, Accidental Love), a severe sociopath looking for something to be great at. When he comes across a collision on the highway, he meets Joe Loder (Bill Paxton, Titanic, Edge of Tomorrow), a man who makes his living being the first man on the scene with a camera, ready to sell his footage to the highest bidding news outlet. He is a nightcrawler. Louis Bloom takes his specific and strange set of skills to this new obsession, and a new fascination in Nina Romina (Rene Russo, Outbreak, Thor: The Dark World), a woman who takes interest in Louis’ footage. As Bloom falls deeper and deeper into fractured sanity, his skills improve, and his methods evolve with truly terrifying results.
Gyllenhaal is completely unnerving as Bloom here, and his mental transformation is almost more impressive than his physical transformation, and Bloom’s arc is very much like the car crash which ignites his passion: something horrifying to witness, but impossible to look away. He is met on his playing field by Russo’s Romina, an aging ex-anchor who very much misses the limelight. She uses Bloom as he uses her. There is something creepily affectionate about their relationship. Paxton provides a likability to his unlikable Joe Loder. These are characters we don’t like, but we can’t stop viewing.
Gilroy’s cinematography could use some work. The film doesn’t move in the way it should. The pacing doesn’t have the beats it should to make the film flow right. The film’s score complements Gyllenhaal’s performance well. In fact, the entirety of the film exists to turn you away from it. The whole film is enjoyable once but not a film I could watch again.
Dan Gilroy’s Nightcrawler is a moody character study. Men like Bloom exist, and that is perhaps the most terrifying takeaway from this film. Gyllenhaal deserves recognition for once again proving that he is at the top of his game and is the reason his character is so unlikably likable.
-Kyle A. Goethe