St. Vincent (2014)

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Director: Theodore Melfi

Cast: Bill Murray, Melissa McCarthy, Naomi Watts, Jaeden Lieberher

Screenplay: Theodore Melfi

102 mins. Rated PG-13 for mature thematic material including sexual content, alcohol and tobacco use, and for language.

 

Bill Murray (Groundhog Day, Dumb and Dumber To) has done a lot of things recently seemingly to piss me off. He has also done a lot of things recently to make me happy. He is an enigma, much more aligned with the assholery of his fellow Saturday Night Live-r Chevy Chase (there, I said it). So when St. Vincent came out, I wasn’t terribly keen to see it. I forgot, though, about Murray’s innate ability to perform the hell out of a movie.

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In St. Vincent, Murray plays…Vincent, an older war vet who seems to hate everything and everyone except his dear Daka (Naomi Watts, King Kong, The Divergent Series: Insurgent), a paid lover who is having his baby. When he is roped into babysitting Oliver (Jaeden Lieberher) at the behest of his down-on-her-luck mother Maggie (Melissa McCarthy, TV’s Gilmore Girls, Spy), Vincent uses the situation to his benefit, practically extorting the situation to his liking. When he finds that Oliver is in need of a father-figure, Vincent finds himself growing closer to the boy, whether he like it or not.

The performances here are great, especially those from Murray and Watts (who plays Daka so well that I forgot it was her). Even young Lieberher keeps his own with the commanding comedic vet Murray.

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A lot of people have discussed this film’s merits and its possible snub during the Oscars, and while I feel that it has a great many good things about the screenplay and the performances, the film’s technical aspects are nothing of particularly astounding quality. Director Theodore Melfi can make a movie, but a powerhouse award winner perhaps not. For what it is, St. Vincent is a cute little piece of a movie with some great work turned in from the actors. Groundbreaking? No. Funny with a heart? Sure. The acting here is what makes the film.

 

4/5

-Kyle A. Goethe

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