The Lord of the Rings: The Return of the King (2003)

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Director: Peter Jackson

Cast: Elijah Wood, Ian McKellan, Viggo Mortensen, Liv Tyler, Seas Astin, Cate Blanchett, John Rhys-Davies, Bernard Hill, Billy Boyd, Dominic Monaghan, Orlando Bloom, Hugo Weaving, Miranda Otto, David Wenham, Karl Urban, John Noble, Andy Serkis, Ian Holm

Screenplay: Fran Walsh, Philippa Boyens, Peter Jackson

201 mins. Rated PG-13 for epic intense battle sequences and frightening images.

  • Academy Award Winner: Best Picture
  • Academy Award Winner: Best Director
  • Academy Award Winner: Best Writing, Adapted Screenplay
  • Academy Award Winner: Best Film Editing
  • Academy Award Winner: Best Art Direction – Set Decoration
  • Academy Award Winner: Best Costume Design
  • Academy Award Winner: Best Makeup
  • Academy Award Winner: Best Music, Original Score
  • Academy Award Winner: Best Music, Original Song (“Into the West” by Fran Walsh, Howard Shore, Annie Lennox)
  • Academy Award Winner: Best Sound Mixing
  • Academy Award Winner: Best Visual Effects

 

After pouring years of his life into an ambitious project, director Peter Jackson (The Lovely Bones, King Kong) finally saw his vision receive the recognition it deserved after winning 11 Academy Awards (making it the most nominated franchise in history), tying the record. The Lord of the Rings: The Return of the King was the final chapter in the trilogy based on Tolkien’s novels, and indeed one of the greatest films ever crafted. Equal parts grandeur and tragic masterpiece, our third trip to Middle-Earth.

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Frodo (Elijah Wood, Eternal Sunshine of the Spotless Mind, Cooties) and Sam (Sean Astin, TV’s Teenage Mutant Ninja Turtles, The Goonies) have gotten back on the path to Mount Doom, with Gollum (Andy Serkis, Rise of the Planet of the Apes, Arthur Christmas) in tow, though Gollum’s path is becoming increasingly more treacherous. Is he leading them down a trap?

Meanwhile, Gandalf (Ian McKellan, X-Men: Days of Future Past, The Prisoner) and Pippin (Billy Boyd, Master and Commander: The Far Side of the World, Dorothy and the Witches of Oz) are heading to Minas Tirith to warn the Steward of Gondor, Denethor (John Noble, TV’s Fringe, Superman: Unbound), of the war that is on his doorstep. The only problem, Denethor, who also happens to be father to Boromir and Faramir (David Wenham, 300, Legend of the Guardians: The Owls of Ga’Hoole), has grown insane and weary in grief over the loss of his favorite son.

This is a spectacular film achievement, visually perfect in every way. The performances are stellar. The plot interweaves and closes off all loose ends. The cinematography is sweeping, epic in scope, and perfectly crafted.  The film’s 200-minute runtime goes by smoothly, not a moment to stop and catch one’s breath. Even the visual effects have not aged in the dozen years since its release. The film even contains the largest prop ever built for a motion picture in a battle sequence containing giant creatures called oliphaunts.

The film features another wonderful battle sequence overcut with Pippin singing a song to the eating Denthor. It is beautiful and chilling and everything that this series is all at once.

As a note to casual fans at the completion of this review for The Lord of the Rings trilogy, check out the extended editions. As terrific as the theatrical cuts are, the extended films are the supreme version of the story. They feature cameos and performances not seen in the previous incarnations, such as The Mouth of Sauron, a wholly chilling character unfortunately cut from the film.

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The Lord of the Rings: The Return of the King is perhaps the greatest fantasy achievement in filmmaking that we will ever see. It excels on every level and continues the tradition of high-fantasy movies in a glorious fashion. I doubt we will see an equal for a very long time.

 

5/5

-Kyle A. Goethe

 

For my review of Peter Jackson’s The Hobbit: An Unexpected Journey, click here.

For my review of Peter Jackson’s The Hobbit: The Desolation of Smaug, click here.

For my review of Peter Jackson’s The Hobbit: The Battle of the Five Armies, click here.

 

For my review of Peter Jackson’s The Lovely Bones, click here.

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