Inside Out (2015)

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Director: Pete Docter

Cast: Amy Poehler, Phyllis Smith, Bill Hader, Lewis Black, Mindy Kaling, Richard Kind, Kaitlyn Dias, Diane Lane, Kyle MacLachlan

Screenplay: Pete Docter, Meg LaFauve, Josh Cooley

94 mins. Rated PG for mild thematic elements and some action.

iMDB Top 250: #57 (as of 9/27/2015)

 

Where did Pixar go? It’s been a few years since they have released something epic. Well, here comes their biggest risk: Inside Out.

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Inside Out is the story of Riley (Kaitlyn Dias), a young girl who is moving away from her childhood home in Minnesota for the new world of San Francisco with her mom (Diane Lane, Man of Steel, Every Secret Thing) and dad (Kyle MacLachlan, TV’s Twin Peaks, Justice League: The New Frontier). But the story is about so much more than that. It also follows Riley’s emotions, specifically the struggling partnership of Joy (Amy Poehler, TV’s Parks and Recreation, They Came Together) and Sadness (Phyllis Smith, TV’s The Office, Alvin and the Chipmunks: Chipwrecked). After Sadness creates a sad core memory for Riley’s first day of class in her new school, Joy feels the need to isolate Sadness from accessing Riley’s emotional control, sabotaging Joy’s friendship with her emotional partners.

Inside Out is a simple yet complex concept. It isn’t a kids movie; it’s an adult film that also appeals to children. This film challenges viewers and engages them in a thought-provoking story. The voice work from Amy Poehler, Lewis Black (TV’s The Daily Show, Accepted) who portrays Anger, and Richard Kind (TV’s Spin City, Obvious Child) who voices Bing Bong, Riley’s old imaginary friend.

The visual look of this film is glorious considering most of it is spent in a few specific locations. I didn’t find myself pulled out of the story in either Riley’s story or that of her emotions. The emotional characters too have such stunning animation that really brings out the individual emotions as characters rather than stock one-note beings.

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Looking back on Inside Out, I get the feeling that it may be Pixar’s riskiest move, but also one of their biggest successes. The company continues to leap forward in the storytelling medium by choosing difficult subject material and conveying it in such a unique and enjoyable way. Great job all around, Pixar, and I look forward to seeing what comes next.

 

4.5/5

-Kyle A. Goethe

 

 

So what did you think of Pete Docter’s Inside Out? Did it open you up or bring you sadness? Let me know!

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