[Early Review] Mike and Dave Need Wedding Dates (2016)

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Director: Jake Szymanski

Cast: Zac Efron, Anna Kendrick, Adam DeVine, Aubrey Plaza

Screenplay: Andrew Jay Cohen, Brendan O’Brien

98 mins. Rated R for crude sexual content, language throughout, drug use and some graphic nudity.

 

Hey, everyone! I was blessed to have seen Mike and Dave Need Wedding Dates last night, and here’s my Early Review! Is this comedy enough chuckles to earn a theater experience? Let’s take a look.

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Oddly enough, Mike and Dave Need Wedding Dates is a based on a true story…sort of. It’s the tale of the Stangle Brothers, Mike (Adam DeVine, TV’s Uncle Grandpa, The Intern) and Dave (Zac Efron, 17 Again, Neighbors 2: Sorority Rising), and their quest to get dates to their sister’s wedding. Tasked by their parents to get dates or be out of the wedding, Mike and Dave, desperate for nice girls, go to Craigslist with their request. Eventually, the two gain fame in their search, which leads them to Alice (Anna Kendrick, Pitch Perfect, Get a Job) and Tatiana (Aubrey Plaza, TV’s Parks and Recreation, Dirty Grandpa), who see this as an opportunity for a free trip to Hawaii and fake themselves off as nice girls. It isn’t long, however, before the Stangles and their wedding dates find that it isn’t easy to fake nice, and supposed hilarity ensues.

I’m going to make a comparison here that you won’t expect. Mike and Dave Need Wedding Dates is very similar to Batman v Superman: Dawn of Justice. The entire film feels like a collection of great scenes that just don’t fit together well. The movie isn’t very cohesive. It doesn’t pace very well either. There are numerous scenes that I loved (just wait for the massage bit) but overall these scenes are wasted on a splotchy story from director Jake Szymanski (7 Days in Hell).

I liked the chemistry from stars Efron and DeVine as well as Kendrick and Plaza. This film takes the approach for extreme lowball comedy which works occasionally as a style, but I don’t think Szymanski knows how to cultivate a style of his own that moves the story forward. Instead, he relies heavily on his leads to point the way. The problem with an approach like this is that you get characters that don’t evolve. The quartet of characters all have scenes that tell but don’t show growth which leads to a rather uninspired film.

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Sadly, I didn’t enjoy Mike and Dave nearly enough to endorse this film to you. It is definitely worth a Redbox-ing, but you can save your spending dollars for a better fare. For those of you that don’t want my opinion, Mike and Dave Need Wedding Dates opens July 8th.

 

2.5/5

-Kyle A. Goethe

400 Posts! This is Why I Love You!

 

So we just passed my 400th Post earlier this month, and I’m so happy to tell you that I’m having the time of my life. I cannot thank you all for reading. 2016 is looking to be the best year yet for this site, and there’s so much more to come! Thanks again! I thought that, today, we could look at my top ten posts so far! Check it out!

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  1. Turbo Charged Prelude (2003)
  2. Poltergeist (1982)
  3. Star Wars – Episode IV: A New Hope (1977)
  4. 2 Fast 2 Furious (2003)
  5. Leprechaun (1993)
  6. Frankenstein (1994)
  7. The Rocky Horror Picture Show (1975)
  8. The Fast and the Furious (2001)
  9. Horror Express (1972)
  10. Independence Day (1996)

 

Check them out, and thanks again! See you at 500!

 

-Kyle A. Goethe

Trailer for Tupac Biopic All Eyez on Me Drops; This Writer Does a Double Take

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So, the first official teaser for All Eyez on Me, the upcoming Tupac Biopic, is here, and it came out of nowhere.

The teaser trailer is just that; it barely scratches the surface of enough to really audit the film and its merits. We here a voice-over of what appears to be Tupac’s mother, a lot of people cheering and shots of the character without showing his face, and then you realize why.

Now, I’ve seen Straight Outta Compton and I thought the actor cast to play the famous rapper, Marcc Rose, looked just like Tupac. But the star of All Eyez on Me, Demetrius Shipp Jr, looks just like Tupac!

But, of course, I must mention that even if you have the look, you have to have the chops. Shipp looks like Tupac, but can he be Tupac? I would rather have acting over looks any day, so hopefully our lead is ready to play.

All Eyez on Me is still filming apparently and is set for release on November 11.

So what do you think? Are you excited for All Eyez on Me? What’s your favorite musical biopic? Let me know!

 

-Kyle A. Goethe

[Early Review] The Conjuring 2 (2016)

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Director: James Wan

Cast: Vera Farmiga, Patrick Wilson, Frances O’Connor, Madison Wolfe, Simon McBurney, Franka Potente

Screenplay: Carey Hayes, Chad Hayes, James Wan, David Leslie Johnson

133 mins. Rated R for terror and horror violence.

 

Good evening, everyone, I just got back from an early screening for The Conjuring 2! Did I like it? Spoiler: Yeah, I did.

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This sequel from director James Wan (Saw, Furious 7) is set after Lorraine (Vera Farmiga, TV’s Bates Motel, The Departed) and Ed Warren (Patrick Wilson, Watchmen, Batman v Superman: Dawn of Justice) have wrapped up their famed inspection of the Amityville house. Now, a far more terrifying case comes calling all the way from Enfield in north London. Peggy Hodgson (Frances O’Connor, A.I. Artificial Intelligence, Mercy) and her family have been experiencing a new level of paranormal disturbance that threatens the lives of the entire family. This entity has centered itself on Peggy’s daughter Janet (Madison Wolfe, The Campaign, Keanu) and plans on forcing her to do the unthinkable. Now, the Warrens have found themselves in their most dangerous journey, facing an enemy that wants more than just the Hodgsons.

First of all, I have to congratulate Wan on not tackling The Amityville Horror. This sequel touches on it just enough to provide a context for the series. The Conjuring 2 is one of the more amazing horror films in recent times. It may also be Wan’s best film to date, and I mean that.

The acting from Farmiga and Wilson are again incredible, but it’s the relationships built between them and the Hodgsons, particularly Janet and Peggy, that make the film. It’s rare to call a horror film heartwarming, but that’s exactly what The Conjuring 2 reaches for amidst its shocking and tense mood. Young Madison Wolfe holds her own in her scenes with the more accomplished performers here. There’s also a terrific turn from Simon McBurney (The Last King of Scotland, Mission: Impossible – Rogue Nation) as Maurice Gross, a man searching for proof of life after death but who may be too easily convinced. On the polar opposite in the troupe is Anita Gregory (Franka Potente, TV’s Copper, The Bourne Identity) who is out to prove the Hodgson haunting a hoax.

Wan’s always had great cinematography in his films, and The Conjuring 2 is no exception. It would seem that the horror director’s entire filmography has led to this, from his smaller pictures like Saw to his action-packed extravaganza with Furious 7. Wan’s work has created a unique style pulling from everything he has done before and creating something wholly new.

Another progression is that of Joseph Bishara, who scored the film. Bishara is much more restrained than in previous works like Insidious, his score only enhancing scares instead of instigating them. It works very well here.

James Wan swings for the fences, even if he misses on the special effects. There is a hint of swift CGI to this film involving one particular element that I won’t mention here. You’ll know it when you see it, this piece of CGI will not age well, even if it didn’t completely take me out of the movie.

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The Conjuring 2 feels so personal and so profound, the master stroke of a filmmaker in full control of his craft. It’s incredible to have been a fan of this storytelling for over a decade and to see his metamorphosis into a skilled and strong filmmaker who impresses me more each time I enter the cinema. See The Conjuring 2. It’ll make you believe in studio horror again.

 

4.5/5

-Kyle A. Goethe

 

 

For my review of James Wan’s The Conjuring, click here.

For my review of James Wan’s Insidious, click here.

For my review of James Wan’s Furious 7, click here.