First Trailer for Rings Won’t Kill You in Seven Days…I Think

rings2016a

The American Ring franchise kind of sputtered into nothing some time ago. After director Gore Verbinski gave us the cold, unflinching remake of J-Horror film Ringu back in 2002, the first sequel seemed set to success, but then it sucked. I remember watching it and being horribly underwhelmed.

#crazydeer

But now, over a decade later, Rings, the upcoming third film in the series, has surfaced. A lot has changed in the world of technology in the past decade, so it’ll be interesting to see how it all plays out in the film.

The first trailer, which you can see below, offers an interesting glimpse at the film. I just caught it, and I’m pretty impressed. It plays on the reboot functionality of the film by not connecting specifically to the original (a smart choice) but also focusing on the iconography of the series. It’s been a bit, and I know audiences outside of the norm aren’t chomping at the bit too much for a new Ring movie, so this is an uphill battle. That being said, I think this first trailer is an indicator that Rings might have the muster to stick the landing.

Rings follows a young woman who views the videotape when her boyfriend discovers it. She now has seven days to unravel the mystery before it’s too late.

Rings emerges from theater screens on October 28 and is directed by F. Javier Gutierrez.

Are you excited for Rings? What’s your favorite J-Horror remake? Let me know.

 

-Kyle A. Goethe

[Oscar Madness Monday] Straight Outta Compton (2015)

straightouttacompton2015a

Director: F. Gary Gray

Cast: O’Shea Jackson Jr., Corey Hawkins, Jason Mitchell, Paul Giamatti

Screenplay: Jonathan Herman, Andrea Berloff

147 mins. Rated R for language throughout, strong sexuality/nudity, violence, and drug use.

  • Academy Award Nominee: Best Writing, Original Screenplay

 

Who would’ve thought that Straight Outta Compton would be an Oscar contender? 2015 was great.

straightouttacompton2015b

Straight Outta Compton is the story of NWA, specifically Eazy-E (Jason Mitchell, Keanu, Broken City), Ice Cube (O’Shea Jackson, Jr.), and Dr. Dre (Corey Hawkins, Non-Stop, Romeo and Juliet), and the effect that they made on the music industry in the 1980s and 90s. It also tells of NWA’s involvement with Jerry Heller (Paul Giamatti, Sideways, Ratchet & Clank), the manager of the group.

Straight Outta Compton seemingly came out of nowhere. I didn’t think it would be very good. I was wrong. This was more than just a fun movie. This was excellent film making. To be honest, my immediate dismissal of this film came from F. Gary Gray (The Italian Job, Law Abiding Citizen). I enjoyed The Italian Job somewhat, but I absolutely hated Law Abiding Citizen. So I wasn’t too keen. I was, as I said, wrong.

The best elements of the film, though, come from the leads. Jackson, Hawkins, and Mitchell were all amazing, and their performances were aided by Paul Giamatti and his pitch-perfect portrayal of Jerry Heller.

straightouttacompton2015c

Straight Outta Compton chooses to cover every side of the beginnings and ends of NWA and everything in between. This movie is a lot of film. It runs a bit lengthy, so spend some time to watch this behemoth. It is worth it.

 

4/5

-Kyle A. Goethe

First Trailer for Arrival…well, Arrives

arrival2016a

I don’t know about you, but I have grown quite fond of Denis Villenueve. I was captured by Prisoners and found Sicario slowly winning me over, not to mention the upcoming Blade Runner sequel that has, apparently, cast every known actor. Well, now, seemingly out of nowhere, comes Arrival, Villenueve’s latest cinematic goodie. I had heard about Arrival only in brief snippets of info, but nothing had really taken my interest…yet.

Well, consider me interested.

The trailer, which you can find below, outlines the film quite nicely, showcasing what seems to be some very interesting performances from Amy Adams, Jeremy Renner, and Forest Whitaker. Again, I cannot fail to talk about the striking imagery and gorgeous cinematography that Villenueve’s films are often noted for.

The best part of this trailer is the fact that, from my best guesses, the trailer hasn’t given away too much. It grazes the notion of too much, but I don’t feel like it crosses that barrier. With it, my interested has peaked. I’m excruciatingly excited to see this film.

So what did you think of the trailer? Are you excited for Arrival? And what’s your favorite first contact alien film?

Arrival makes its way to theaters November 11.

 

-Kyle A. Goethe

Zootopia (2016)

zootopia2016a

Director: Byron Howard, Rich Moore, Jared Bush

Cast: Ginnifer Goodwin, Jason Bateman, Idris Elba, Jenny Slate, Nate Torrance, Bonnie Hunt, Don Lake, Tommy Chong, J.K. Simmons, Octavia Spencer, Alan Tudyk, Shakira

Screenplay: Jared Bush, Phil Johnston

108 mins. Rated PG for some thematic elements, rude humor and action.

  • Academy Award Nominee: Best Animated Feature of the Year [Pending]

IMDb Top 250: #183 (as of 8/6/2016)

 

You want proof that miracles can happen? Look no further than this year’s Zootopia.

zootopia2016b

Judy Hopps (Ginnifer Goodwin, TV’s Big Love, Tinker Bell and the Legend of the Never Beast) grew up being told by just about everyone that she wasn’t fit to be who she wanted to be: a police officer in the big city of Zootopia. But she proves them all wrong. When she gets to Zootopia, however, she discovers that it’s going to take a lot of hard work to prove herself. Then, she comes across a dangerous mystery involving animal members of the society going stark-raving mad, so Judy enlists the help of con-fox Nick Wilde (Jason Bateman, Horrible Bosses, Central Intelligence) to help her discover who or what is responsible.

Let’s just discuss the problems that Zootopia faced. After Disney/Pixar faced issues with both Inside Out and The Good Dinosaur as far as production went, they immediately went into a film like Zootopia that faced major backlash after the initial test screenings. The original version focused almost entirely on Nick Wilde, who became downright unlikable. The entire film was overhauled in favor of Judy Hopps. Then, the decision to bring in so many heavy issues like Race and Class discrimination. Zootopia should’ve failed.

But it didn’t. Zootopia is a rare animated film that has major appeal for both children and parents (and no, I’m not just referring to the strange Breaking Bad reference). It puts together an interesting case for the heroes to solve, but Zootopia also faces issues like racial discrimination and class treatment head-on, as well as issues of assumed gender roles. In the film, Judy experiences discrimination from Chief Bogo (Idris Elba, Pacific Rim, Star Trek Beyond) over her appearance. The world treats Judy that she was born a bunny, so her place is on the farm. The major themes of Zootopia may be simple (Don’t judge a book by its cover), but its underlying subtext is real heavy.

And that’s fine. The adult material is easily related to viewers of all ages. And the kids get something out of all this too. They see a funny little scene involving sloths. We as adults see a hilarious satire of the DMV (you know the scene). It works so well on multiple levels.

Now, Zootopia isn’t perfect. It runs on a little too long and doesn’t have all that rewatchability that most Disney films have, but these are minor issues overall.

zootopia2016c

The fact of the matter is that Zootopia is a gorgeously animated film that surpassed all of my expectations. It will easily be on the roster of best animated films for this year. If you haven’t seen it yet, this film comes highly recommended.

 

4/5

-Kyle A. Goethe

[Happy 35th Birthday!] Heavy Metal (1981)

heavymetal1981a

Director: Gerald Potterton

Cast: Harvey Atkin, Jackie Burroughs, John Candy, Eugene Levy, Marilyn Lightstone, Harold Ramis, Richard Romanus, Alice Playten, Roger Bumpass, Joe Flaherty

Screenplay: Daniel Goldberg, Len Blum

86 mins. Rated R.

 

Well, folks, 35 years ago today, a little animated film came out. No, it wasn’t a Disney film. Not even a little. No, I’m talking about 1981’s Heavy Metal.

heavymetal1981c

Heavy Metal is a collection of stories based on those from the original source comic book. Each of these stories is connected through a mystical object, a green glowing orb called the Loc-Nar. There is the story of Harry Canyon (Richard Romanus, Mean Streets, Point of No Return), a taxi driver in 2031 New York who gets in too deep with a beautiful woman on the hunt from the gangster Rudnick. The story of Den (John Candy, TV’s SCTV, Spaceballs), a nerdy teen who is transported by the Loc-Nar to Neverwhere and becomes muscled hero bent on defeating a villainous cult. On an orbiting space station, Captain Lincoln F. Sternn (Eugene Levy, Best in Show, Finding Dory) is on trial when the Loc-Nar intervenes. The stories are each interesting in their own and contribute to an overall mythos by which the film is centered. To go in depth would ruin the fun of watching.

The film starts with a Loc-Nar monologue and immediately jumps into Soft Landing, a hell of a way to open a movie and further proof that opening titles work when done right.

The movie is crass and misogynistic and gory and erotic, and through all that, I love it. Heavy Metal has eye-popping imagery and gorgeous visuals (however dated) combined with a kick-ass soundtrack featuring hard rock music from the era. It is a time capsule of teenage boys in the 1980s, and it is epic.

I would have liked to have seen more connections between the different stories. It felt like they were shoehorned together some (and I know full well that this was the case as the Loc-Nar didn’t appear in most of the comic book stories depicted).

heavymetal1981b

I love Heavy Metal (the sequel, Heavy Metal 2000, not so much) and I hope for the long-awaited third film to show up one day down the road. This is a film like no other, only barely similar in tone to some of Ralph Bakshi’s work, but don’t let its uniqueness take you out of it. This is a tremendous feat in filmmaking that has been all but forgotten.

 

4.5/5

-Kyle A. Goethe

[Early Review] Kubo and the Two Strings (2016)

kuboandthetwostrings2016b

Director: Travis Knight

Cast: Charlize Theron, Art Parkinson, Ralph Fiennes, Rooney Mara, George Takei, Matthew McConaughey

Screenplay: Marc Haimes, Chris Butler

Runtime: NA. Rated PG for thematic elements, scary images, action and peril.

 

Well, I just got out of an advance screening for the upcoming Laika film Kubo and the Two Strings. Now Kubo has been hotly anticipated as a unique and original film for the stop-motion crew at Laika and the trailers have only furthered the excitement. So how does it stack up and should you see it on August 19th?

kuboandthetwostrings2016c

Kubo (Art Parkinson, TV’s Game of Thrones, Dracula Untold) is a young boy who lives on an island with his mother. Their lives are secluded and peaceful, until the vengeful Moon King (Ralph Fiennes, Harry Potter and the Deathly Hallows: Part 2, Hail Caesar!), who stole Kubo’s eye as a baby, finds him once again. Kubo’s mother sends him away to find three pieces of mystical armor to defeat the Moon King and his daughters, The Sisters (both played by Rooney Mara, The Social Network, Pan). Along Kubo’s journey, he comes across companions like Monkey (Charlize Theron, Mad Max: Fury Road, The Huntsman: Winter’s War) and Beetle (Matthew McConaughey, Interstellar, Free State of Jones) who aid him in the perilous and difficult path that lies before him. But can he defeat the Moon King, the evil force who killed his father?

Kubo and the Two Strings is the fourth film from Laika, and it may just be the best work yet. This is a gorgeously animated and stunningly told story steeped in classic Japanese folklore. Each of the environments actually breathe on their own, and function as a beautifully laid out tapestry of incredible visuals.

Kubo’s story directly takes from the Hero’s Journey, and he is given an interesting and action-packed set of tests to stop him from gaining the armor in time. Thankfully, it is the chemistry between Kubo, Monkey, and Beetle that make this movie a must-see. There is heart and soul, enough to compete with the lovely imagery.

The voice work is solid from Parkinson, and he is aided nicely by Theron and McConaughey. In fact, there isn’t a whole lot to turn one away from the film.

Now, Kubo can be seen as an animated film more so than a family or kid’s movie. There are some frightening images and sequences, but I’m not trying to tell you that younger children should avoid it.

My faults with the film? Really only one. There are a few story beats near the end of the film that I didn’t see the point in. But that didn’t take the enjoyment out of the experience.

kuboandthetwostrings2016a

You need to see Kubo and the Two Strings. It is breathtaking in its sights, but also wonderful in its sounds. Make sure to stay through the entire end credits. These animators put in hard work, and you get a chance to see how much. There’s also an amazing rendition of “While My Guitar Gently Weeps” by Regina Spektor. When Kubo hits your theater, take the whole family on an adventure that is original and spectacular, aided by a striking attack on the senses. Seriously, you should be standing in line for it right now.

 

4.5/5

-Kyle A. Goethe

Oscar-Nominated Screenwriter Eric Bergren Dead at 62

theelephantman1980a

Eric Bergren, screenwriter for The Elephant Man, has sadly passed away. Apparently, this is new news but he was reported to have passed on July 14 due to complications regarding his liver cancer.

Bergren also worked on 1982’s Frances and 1991’s The Dark Wind.

Bergren even appeared uncredited in The Elephant Man as Lyra Box Player #1.

The Elephant Man, directed by David Lynch, was nominated for 8 Academy Awards including Best Picture and the nomination for Best Adapted Screenplay that Bergren shared with Christopher De Vore and Lynch.

David Lynch tweeted about the loss:

RIP Eric Bergren.

 

-Kyle A. Goethe