Bill & Ted 3 is Officially Happening, But Is It?

According to The Hollywood Reporter, Bill & Ted Face the Music, set to reunite the Wyld Stallyns played by Keanu Reeves and Alex Winter, is being shopped right now at Cannes. The report says that creators Chris Matheson and Ed Solomon wrote the screenplay that is being used, and that the film will be directed by Galaxy Quest’s Dean Parisot.

The film is in preproduction mode right now, and will tell the story of middle-aged Bill & Ted on another time-traveling adventure to find the greatest song ever written in order to save the universe.

Now, this is a chance for me to admit a fault: I’ve never seen Bill & Ted’s Excellent Adventure. I’ve never seen Bill & Ted’s Bogus Journey. I own them both, and they are collecting dust on my shelf. I’ll get to it, hopefully before this third film releases.

All in all, I’m totally for Bill & Ted Face the Music. I think a franchise like this doesn’t have an untouchable quality to it, and why not give it another go for a trilogy capper? Especially with original creators behind the script.

Yeah, let’s do this. Reunite the Wyld Stallyns.

What do you think? Are you excited for Bill & Ted Face the Music? Which Bill & Ted film is your favorite? Let me know/Drop a comment down below!

 

-Kyle A. Goethe

 

 

For more Almighty Goatman,

Advertisements

Bruce Willis as Trainer Cus D’Amato in Cornerman

Bruce Willis will play Cus D’Amato, the famed boxing trainer who worked with boxer Mike Tyson, in the new film Cornerman. The film, set to be directed by actor Rupert Friend (his directorial debut), shows D’Amato training boxing champions and discovering a teenage Mike Tyson.

The role of Tyson has not been cast.

If you ask me, this is a bad idea. Not that Willis isn’t capable of playing D’Amato. It’s just that Willis doesn’t care anymore. I haven’t seen a film where Willis cares about the role in over a decade. He just doesn’t care, and he’s a bit of a diva during filmmaking, requiring a capable director behind the camera. Friend has not proven himself capable yet.

I like Friend as an actor, so it remains to be seen how he handles directing duties, but I’ve heard horror stories about Bruce Willis, and I’m not sure he has the passion anymore (here’s hoping for Glass).

So what do you think? Would you cast Bruce Willis as Cus D’Amato? Or is Friend the right choice? Let me know/Drop a comment down below!

 

-Kyle A. Goethe

 

 

For more Almighty Goatman,

Infinity War Breaks More Records, Crosses Billion-Dollar Mark

Who didn’t see this one coming, right? Avengers: Infinity War has officially crossed the $1 Billion mark worldwide. It took 11 days for the film to get to the holy land of billions, proving that Marvel and Disney’s shifting of the release date was one of the smartest moves of the year. Domestically, the film is still outpaced by The Force Awakens, but internationally, this behemoth is moving fast.

One important takeaway here is that the film runs close to three hours with trailers and commercials. Looking at DC/Warner Bros. choosing to shorten their DCEU film Justice League to two hours to get more screenings in, it doesn’t seem to have been a problem for Marvel and their cinematic universe.

Another very important note here is that Marvel has “earned” this win with the careful handling of their cinematic universe, and having characters with arcs of up to ten years culminate with this event film is really gratifying for the studio.

I’m overjoyed, as I really loved Avengers: Infinity War despite its nitpicky flaws, and I’m happy the fans seem to love it too.

Have you seen Avengers: Infinity War yet? Of course you have. What did you think? Let me know/drop a comment down below!

 

-Kyle A. Goethe

 

 

For more Almighty Goatman,

Frances McDormand Owns Oscar Night

Hey all,

I hope you had a terrific Oscars night. I certainly did. Granted, my fiancé got sick at our party and we had to leave, but the event was still a lot of fun to watch.

One of my favorite moments of the night was the win for Frances McDormand for her work in Three Billboards Outside Ebbing, Missouri. Her speech, which you can see in full online if you missed it, was one of sheer joy, and it ended on a truly enlightening note. She asked that all female nominees in all categories please stand up and there was a rousing applause. The entire moment was inspiring.

Finally, she ended with the words “inclusion rider.” Specifically, this is a term used in contracts that requires a diverse cast be hired.

It was, altogether, the reason why we watch the Oscars. It was emotional, powerful, and fitting.

What was your favorite moment of the awards? Let me know/Drop a comment below.

 

-Kyle A. Goethe

 

 

For more Almighty Goatman,

600 Posts! A Very Special Thank You!

Hey everyone, there are more of you reading this now than there were four years ago when I started this whole thing, and yesterday, Lady Bird became my 600th post here. I can’t believe it. I’ve been writing here for some time and I can’t thank you readers enough for all that you have contributed through kind words, thoughtful discussion, and interesting insight. I wouldn’t be here without you!

Here’s a look back at the most popular reviews or pieces that we’ve been a part of here.

  1. Turbo Charged Prelude (2003)
  2. Poltergeist (1982)
  3. Star Wars: Episode IV – A New Hope (1977)
  4. Frankenstein (1994)
  5. 2 Fast 2 Furious (2003)
  6. Leprechaun (1993)
  7. The Thing (1982)
  8. Santa Claws (2014)
  9. The Fast and the Furious (2001)
  10. Bad Boys (1995)

It’s still a little crazy that the most-looked at review on this site is for a short film prequel to 2 Fast 2 Furious, but to each his own.

And now, for one more thing. There is nothing I would love more than for your continued contribution to the discussion. All film is subjective, after all, and I started this site to start those discussions. If you agree with me on a certain film, speak out, let me know what you love about it. If you disagree, let me know your opinion.

If you have anything you’d like to see in the future, please feel free to contact us here at almightygoatmanreviews@gmail.com. We would love to hear from you.

 

Thanks,

-Kyle A. Goethe

 

 

For more Almighty Goatman,

[#2018oscardeathrace] The Nominees for the 90th Academy Awards

 

My favorite time of the year for film: The Oscar Death Race. I’m ready for it this year, are you?

The Oscar Death Race is a yearly attempt to see all or most of the Oscar Nominees. It officially kicks off after the nominations, which were announced early this morning.

Here are the nominations for this year’s Academy Awards, hosted again by Jimmy Kimmel.

 

Best Picture

 

Best Director

 

Best Actor

  • Timothee Chalamet, Call Me by Your Name
  • Daniel Day-Lewis, Phantom Thread
  • Daniel Kaluuya, Get Out
  • Gary Oldman, Darkest Hour
  • Denzel Washington, Roman J. Israel, Esq.

 

Best Actress

 

Best Supporting Actor

 

Best Supporting Actress

  • Mary J. Blige, Mudbound
  • Allison Janney, I, Tonya
  • Lesley Manville, Phantom Thread
  • Laurie Metcalf, Lady Bird
  • Octavia Spencer, The Shape of Water

 

Best Original Screenplay

 

Best Adapted Screenplay

 

Best Animated Feature Film

  • The Boss Baby
  • The Breadwinner
  • Coco
  • Ferdinand
  • Loving Vincent

 

Best Foreign Language Film

  • A Fantastic Woman
  • The Insult
  • Loveless
  • On Body and Soul
  • The Square

 

Best Documentary Feature

  • Abacus: Small Enough to Jail
  • Faces Places
  • Icarus
  • Last Men in Aleppo
  • Strong Island

 

Best Documentary Short

  • Edith + Eddie
  • Heaven is a Traffic Jam on the 405
  • Heroin(e)
  • Knife Skills
  • Traffic Stop

 

Best Live Action Short Film

  • DeKalb Elementary
  • The Eleven O’Clock
  • My Nephew Emmett
  • The Silent Child
  • Watu Wote/All of Us

 

Best Animated Short Film

  • Dear Basketball
  • Garden Party
  • Lou
  • Negative Space
  • Revolting Rhymes

 

Best Original Score

 

Best Original Song

  • “Mighty River” from Mudbound
  • “Mystery of Love” from Call Me by Your Name
  • “Remember Me” from Coco
  • “Stand Up for Something” from Marshall
  • “This Is Me” from The Greatest Showman

 

Best Sound Editing

 

Best Sound Mixing

 

Best Production Design

 

Best Cinematography

 

Best Makeup and Hairstyling

  • Darkest Hour
  • Victoria & Abdul
  • Wonder

 

Best Costume Design

 

Best Film Editing

 

Best Visual Effects

 

There you have it. I better get started.

#2018oscardeathrace

 

-Kyle A. Goethe

 

 

For more Almighty Goatman,

Facebook: Almighty Goatman Film Reviews

Twitter: @AlmightyGoatman

Instagram: @AlmightyGoatman

Follow me on the Stardust App @AlmightyGoatman by downloading now in the App Store!

Creed 2 Finds its Opponent

Get your bets ready, everyone. Creed 2 has cast German-Romanian boxer Florian Munteanu to square off with Michael B. Jordan’s Adonis Johnson in the upcoming sequel to 2015’s Rocky reboot. Munteanu will play the son of Ivan Drago, meaning that Adonis will be facing the son of the man who killed his father in the ring in Rocky IV.

The film is set to start shooting in Philadelphia this March with Steven Caple directing and will feature the return of Sylvester Stallone and Tessa Thompson.

I personally think this is a great move for the film, as I was initially hearing reports that Drago himself would be the opponent which sounded overtly gimmicky and unrealistic. By bringing his son into it, Adonis can have another truly great emotional arc in this pseudo-revenge fight. As long as it is done right.

Creed 2 begins its fight at the cinema on November 21st.

Are you excited for Creed 2? Is Drago’s son the right opponent? Let me know/Drop a comment below!

 

-Kyle A. Goethe

New Trailer for Tully Reunites Jason Reitman, Charlize Theron, and Diablo Cody

I love Jason Reitman. I think he is an incredibly underrated talent. I enjoyed Juno, which he directed based on a screenplay from Diablo Cody. I also enjoyed, although to a lesser extent, Young Adult, a difficult dark comedy that brought in Charlize Theron, and I’m more than a little intrigued by his newest film Tully. A teaser trailer dropped today.

The film is marketing itself as a story about motherhood in 2018, and it seems like an interesting combination of drama and dark wit, something both Reitman and Cody excel at, and while I didn’t laugh at all during the trailer, that isn’t to say that the movie won’t be funny. I just think I need more than a teaser to completely sway me. In fact, Tully, the titular night nanny, isn’t even introduced until the end of the teaser, so all things considered, I need more to go one here.

Am I excited? Moderately. I wasn’t entirely aware of this film’s existence until today, but knowing these three are back again, and that we will hopefully see another comedic turn from the wonderful Ron Livingston is always cause for excitement.

Tully is coming April 20th.

Are you excited for Tully? What did you think of the teaser trailer? Let me know/Drop a comment below.

 

-Kyle A. Goethe

 

 

For more Almighty Goatman,

Kyle’s Top Ten Most Anticipated Films of 2018

 

Since I’ve already seen one of 2018’s releases, I’m probably a little late on presenting my most anticipated list for 2018. Don’t worry, it hasn’t changed much. Let’s start off with a note:

  • This list is more anticipated, not what I think will be the best by any stretch. These are the films I’m most looking forward to as of right now, so there will be more blockbusters than indies because that’s just how it plays out. So, with that being said…

 

NOTE: THIS IS NOT A COUNTDOWN BUT A LIST.

 

Annihilation

-I thoroughly enjoyed director Alex Garland’s Ex Machina from 2015, and on that film alone, I cannot wait to see Annihilation. Garland has had a run of pretty solid work in the last few years, and getting top talent like Natalie Portman and Oscar Isaac involved is only making this more hyped for me. I don’t know much about the film’s plot outside of the lone trailer I’ve seen, but getting a chance to see a great storytelling weave a yarn in his own sandbox is always a great thing.

 

Pacific Rim: Uprising

-I’m very sad that Guillermo del Toro isn’t returning to helm the sequel to his underappreciated Pacific Rim, but that’s what it took to get The Shape of Water, so what can you do? At least he is staying on in a producer role and the franchise is continuing. I’m not sure how to feel about Uprising as the film looks drastically different from the original, but John Boyega playing Idris Elba’s son looks interesting enough, and genre favorite Steven S. DeKnight behind the camera is setting the film up for success. I’m very excited to see an expanding of this mythology and more Jaeger/Kaiju action.

 

Ready Player One

-I’m just starting the book right now, and the trailers for Steven Spielberg’s Ready Player One have been fascinating. I just don’t know how to feel but the film looks bonkers. There is absolutely no reason not to be excited for more Spielberg but this one feels so familiar and yet so different from what we’ve seen recently from the director. As long as there are enough weird Easter Eggs, I guess I will keep plenty busy at this one.

 

God Particle

-Yeah, this one was on my list for 2017, but it got bumped back. God Particle is all but confirmed to be the next Cloververse film after Cloverfield and 10 Cloverfield Lane. Since I loved both of its predecessors and I enjoy dissecting theories about this quasi-anthology, God Particle should be a fun and interesting ride.

 

Avengers: Infinity War

-What do I say that hasn’t already been said? Almost 20 films in and we are getting this massive film. I have no words. I doubted that this franchise could or would work, and I was wrong. Pop in Black Panther and Ant-Man & the Wasp (I didn’t want to have more than one franchise installment on this list but I’m stoked for all three) and this should prove to be another exciting year for the MCU.

 

Solo: A Star Wars Story

-All the drama behind-the-scenes has made me rather nervous for Solo, but I trust the minds at Lucasfilm because I’ve enjoyed all three Star Wars adventures since their acquisition by Disney, so I trust that they acted at the right time installing Ron Howard as the new director to fix this anthology film. What does make me nervous, though, is the lack of the trailer with only four months to go.

 

Deadpool 2

-I elected to pick Deadpool 2 over The New Mutants and Dark Phoenix because of how surprising the original Deadpool was in 2016. With the shuffling around behind the camera, the exit of Tim Miller, and the addition of David Leitch, it is interesting to see how this one plays out. If the teaser or short that were released are any indication, I think we are in good hands here.

 

The Predator

-Trust me when I say that all of my excitement for this film is riding on Shane Black. I always love a new Predator film, but Shane Black is the reason this is on the list. I love Black’s storytelling sensibilities from his writing of the greatest action film of all time (yeah, I’m calling it for Lethal Weapon) but also his work as a director with Kiss Kiss Bang Bang, Iron Man 3, and The Nice Guys. Some people aren’t aware that Black even co-starred in the original Predator, so he has a good tie to this series.

 

Fantastic Beasts: The Crimes of Grindelwald

Fantastic Beasts and Where to Find Them was quite a surprise. I love Harry Potter, but the idea to expand the mythology with an adaptation of a textbook was weird. Turns out, J.K. Rowling has a few more stories to tell. The flaw with the first film, though, was Johnny Depp’s cameo as Gellert Grindelwald. I didn’t like his appearance and I don’t have as much faith in him as an actor, so seeing him take on the second-biggest villain in the Harry Potter universe was an odd choice. With The Crimes of Grindelwald, Depp will be taking on a much larger role, so I’m interesting if a little nervous to see what comes of it.

 

Mortal Engines

-Though the trailer didn’t have much to offer (as the film is still about a year out), seeing Peter Jackson’s name onscreen again is always a welcome sight. He’s taking on a producer and screenwriter role this time with Mortal Engines, an adaptation of the novel series by Philip Reeve. Jackson and his team are incredible writers, so a nice foundation to this film is enough to spark my interest. We will have to wait for another trailer to see how it is all shaping up, but Mortal Engines has a lot on its plate.

 

So there it is. What film are you most excited for in 2018? Let me know/drop a comment below.

 

-Kyle A. Goethe

 

 

For more Almighty Goatman,

Kyle’s Top Ten Worst Films of 2017

 

2017 is over, and as we hang for a moment on some of the best movies to come out of 2017, we must also take minute to recognize the stinkers. The real poopoo.

And there were a lot of stinkers. Here, today, I’ve put together my list of the ten films that I felt are the worst of the year. Keep in mind:

  • I didn’t see every bad movie in 2017. This is a list of the worst films I saw. I didn’t see The Emoji Movie. I just…I couldn’t.
  • This list includes films that were downright bad, but I also placed them on the list if they had wasted potential or were overall disappointing.

Alright, let’s get this over with…

 

(Dis)Honorable Mentions

The Mummy

The Mummy isn’t an absolutely terrible movie. My biggest frustration is that it has wasted potential and puts the cart before the horse. This movie isn’t a mummy movie. It’s like one of those prequel comic books that studios release before their actual movie. It suffers from being too much world-building when it should just be a good movie. Leave the world-building for post-credits scenes for now. It’s not a bad thing to use the Marvel model. But instead, they threw a bunch of shit at the wall to see what stuck. The other problem? This isn’t a horror film. It’s an action film. If you are doing a Dark Universe, make it scary or at least unnerving. This is a Tom Cruise vehicle that drives right off the cliff. And I’m pissed, because the Dark Universe can work.

 

Atomic Blonde

Atomic Blonde’s action set pieces are some of the best I’ve seen all year. The problem is when the action starts. Charlize Theron’s Lorraine Broughton is underdeveloped, it has too many villains (and not a single one compelling in the slightest), it’s twist is underserved, and the framing device is far more interesting than the story it is framing. The style works and the music choices make for a fun time, but when the spy plot doesn’t earn its reveals, it’s a big waste from start to finish, and this director and cast deserve a whole lot better than this.

 

  1. Rings

-I saw Rings early last year, and you know, there are some good scenes. Like 1% of the movie. The rest is convoluted boring dreck that isn’t scary, doesn’t update the mythology, and worst it all, doesn’t make any damn sense! Three opening scenes and none of them really work. A twist-ish of an ending that wasn’t interesting (and it was in the trailer). The plot points are clichés taken from better films and Samara isn’t compelling. It also ran on forever. Forever. Forever…Rings was, from beginning to end, a terrible movie, one that should’ve stayed unreleased.

 

  1. Snatched

-The cardinal sin of Snatched is that it’s just plain unfunny. I recall giggling slightly at the film’s final joke, and that gleefulness may have just been my knowledge that the film was coming to a close. I love Goldie Hawn but she gets overshadowed by the far less funny Amy Schumer. Overall, I waited for Snatched to get good. I waited a long time. But the movie was so strung together by a dull plot and unlikable characters that my waiting didn’t get me anywhere. Snatched is disappointingly unfunny.

 

  1. Rough Night

-Not only is Rough Night unfunny, it is a shell of a better plotline. We’ve seen this played out before in films like The Hangover and Very Bad Things, but those movies were funny. Rough Night is a rough watch because the story sets itself up for comedy that never shows up. Scarlett Johansson is woefully miscast and it almost feels like she is aware of that as she constantly appears bored. The rest of the cast play flat friend archetypes. Rough Night never seems to work and some of the comedy is so bad it feels cringe-worthy at times. It just doesn’t work.

 

  1. Fifty Shades Darker

Fifty Shades Darker learns nothing from its predecessor. It is supposed to be this erotic masterpiece of passion and sensuality, and it is so boring. The chemistry is virtually nonexistent, the plot has been done better in soap operas, and the ending. Dear God, the ending is so bad. I guess it shouldn’t surprise me, as the rest of the film was nothing to be happy about, but I felt as though James Foley on board as director was at least a good sign. Foley gets nothing to do with a shit screenplay from Niall Leonard based on a shit book from E.L. James. Garbage.

 

  1. Sleepless

Even Jamie Foxx couldn’t keep his mouth shut about how bad Sleepless is. For the sheer number of solid actors in this film, the movie is just…awful. I can’t blame you if you have no idea that Sleepless was even a movie in 2017, but it was, and I suffered through it so you wouldn’t have to. You’re welcome. Maybe the film would be even marginally likable if at least one character were marginally likable. Dirty cops, broken families, and a flat villain. I always say that you don’t need to have likable characters if they are at least interesting. Well, guess what? No one is that interesting here either. Skip it.

 

  1. The Bye Bye Man

The Bye Bye Man wastes Doug Jones. That’s just about the worst thing you can do. Doug Jones is magnificent, and when The Bye Bye Man is actually oscreen, he is pretty menacing, but a cliché, boring, laughably bad screenplay is the building block for your horror film, you are set up for failure. The first scene in the film is somewhat compelling, and then you put the pieces together, and then you hate it. Lastly, who the hell came up with this title? What a stupid creature name! Ugh.

 

  1. Rock Dog

-I remember nothing of Rock Dog. Good for me, bad for the film. Seriously, I recall thinking to myself the whole time that this was a shitty knockoff of Kubo and the Two Strings, and I sat there for far too long as the film sputtered and died in front of me. I have nothing more to say.

 

  1. Before I Fall

Before I Fall might be one of the funniest movies of the year. That being said, the comedy comes from all the serious parts of the film, and the moments meant to bring lightheartedness to the film are ugh-worthy. This poorly-plotted and simple take on the Groundhog Day/Edge of Tomorrow model is so melodramatic that I couldn’t sit still in my theater seat. I wanted so desperately for the film to be over. No one is likeable/no one is interesting.

 

  1. The Abduction of Jennifer Grayson

-The way this little indie portrays Stockholm Syndrome borders on the offensive, and that’s coming from a guy who is never offended. This shockingly stupid film stars James Duval of Independence Day fame. Oh, you don’t recognize his name? Yeah, there’s a reason for that. I watched The Abduction of Jennifer Grayson before going on a long trip out of town, and the trip felt like it took up less of my time than this movie. When you tuck yourself in at night, be thankful that you haven’t seen this pile of shit.

 

  1. All Eyez on Me

-Well, more proof that just because you look the part doesn’t mean you can act the part. All Eyez on Me runs over the two-hour mark but it feels like a Tupac miniseries that someone scrunched into a film and then dropped a deuce on. There is nothing to say of merit to this movie. Yes, Tupac uses an iPhone in this 90s-set biopic. Yes, Jada Pinkett Smith called out the film’s historical inaccuracy. Yes, it has cars from the 2000s in it. Beyond all the issues with the film from a technical aspect, I was flat-out bored from beginning to end here, and there’s not a single piece of this movie that would make it commendable. It’s the worst film of 2017.

 

 

So there it is. These are the worst films of 2017. I’m glad that’s over.

Is there something missing here? What did you think was the worst film of 2017? Let me know/Drop a comment below!

 

-Kyle A. Goethe

 

 

For more Almighty Goatman,