[Box Office Report] Coco Wins Third Weekend!

Box Office Mojo is reporting that Coco, the newest Disney/Pixar animated film, has just taken the top spot at the box office for the third weekend in a row. Not much has changed this past weekend with the notable exception of the James Franco-directed The Disaster Artist entering the fray.

Coco brought in roughly $18.6 million as it continues its reign at the box office for the final weekend before bowing to Star Wars: The Last Jedi next weekend. Coco has had a lot of steam for a film that this writer felt was not given a large marketing push. The film proves that Disney and Pixar have the clout to carry a film just fine and it doesn’t hurt to have the stellar reviews that it has had.

The fifth film in the DCEU, Justice League, again took the #2 spot with $9.5 million. Justice League continues to drop and perform poorly after a very rocky production and mixed reviews for almost every DCEU film with the exception of this year’s Wonder Woman. WB seems to be very bad when it comes to publicity for its superhero universe, and some possible revelations from the higher offices have not helped.

Third place belongs to Wonder, the well-received release from Lionsgate starring Jacob Tremblay, Julia Roberts and Owen Wilson. The film currently sits at 85% on Rotten Tomatoes with Tremblay’s performance being a notable win. It took in $8.45 million.

In its first weekend of wide release, A24’s The Disaster Artist, chronicling the film-making journey behind the cinematic trash-heap The Room, took fourth place with $6.4 million. This is coming off the heels of director/star James Franco getting praise from the Gotham Awards.

Rounding out #5 is Thor: Ragnarok, the third film in the Thor trilogy, with $6.29 million. The MCU shows no signs of stopping as the very well-received Ragnarok continues to hold strong at the box office despite having been out for over a month.

There you have it. The top five of the domestic box office are:

  1. Coco ($18.6 million)
  2. Justice League ($9.5 million)
  3. Wonder ($8.45 million)
  4. The Disaster Artist ($6.4 million)
  5. Thor: Ragnarok ($6.29 million)

Have you seen any of these films? What did you think? Any surprises in this week’s box office report? Let me know/drop a comment below!

 

-Kyle A. Goethe

 

 

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Official US Trailer for A Wrinkle in Time is Big!

So I read A Wrinkle in Time as a child. I don’t recall reading the sequel, but I remember fondly the wild and trippy original book from Madeleine L’Engle. I remember watching the truly disappointing television adaptation that Disney released years ago. Lastly, I remember the feeling of excitement I felt when Ava DuVernay was announced as the director of the big-screen attempt due out in 2018. Now, we have the Official US Trailer for A Wrinkle in Time. It’s a doozy.

The trailer showcases the film’s plot nicely without really delving into a lot of character backstory. The mythology of this series is thick and dense and the trailer does a fine enough job breaking down the beats.

The film is a story of a young girl, Meg, who goes out in search of her missing scientist father, played by Chris Pine. She does so with the aid of three supreme and powerful beings.

I’m happy the film didn’t give too much away. The mystery and wonder of the film should be left to the viewing experience, and it definitely excited me more to see the actual film, especially with a director like Ava DuVernay at the helm. DuVernay gave us the tremendously engaging and thoughtful films Selma and 13th, so a Disney fantasy film seems like a very interesting next step for her.

What worries me, though, is the vibes I got for the film after watching the trailer. Not a “Bad Film” vibe, but the trailer’s visual landscape and tone reminded me of John Carter, Tomorrowland, and The BFG, all films that were live-action fantasies from Disney, and all three were tankers at the box office. I would like to see franchise potential from A Wrinkle in Time, but its marketing is going to have to hit homers all the way to release day in order to do that.

So what do you think? Are you excited for A Wrinkle in Time? Did you read the original source material and did you enjoy it? Let me know/Drop a comment below!

 

-Kyle A. Goethe

 

 

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Battle of the Sexes (2017)

Director: Jonathan Dayton, Valerie Faris

Cast: Emma Stone, Steve Carell, Andrea Riseborough, Sarah Silverman, Bill Pullman, Alan Cumming, Elisabeth Shue, Austin Stowell, Eric Christian Olsen

Screenplay: Simon Beaufoy

121 mins. Rated PG-13 for some sexual content and partial nudity.

 

I’d been looking forward to Battle of the Sexes ever since I heard that Emma Stone (The Help, The Croods) would be playing Billie Jean King and Steve Carell (Foxcatcher, Despicable Me 3) would be playing Bobby Riggs. The two performers worked so well together for their limited time in Crazy Stupid Love. In fact, Emma Stone also appeared in Birdman with Andrea Riseborough  and Superbad with Martha MacIsaac. She’s built quite the incredibly portfolio, but is Battle of the Sexes up to snuff?

Battle of the Sexes is more about Billie Jean King than her opponent. It covers her strained relationship with husband Larry (Austin Stowell, Whiplash, Colossal), her secret relationship with lover Marilyn (Riseborough) and her fight against Jack Kramer (Bill Pullman, Independence Day, The Equalizer) over women’s rights in professional tennis. But when she finds herself head-to-head with the showboating Riggs, a man who is about to lose his wife Priscilla (Elisabeth Shue, Leaving Las Vegas, Chasing Mavericks) due to his lies and gambling addiction, she finds herself fighting for more than just bragging rights in this film from directors Jonathan Dayton and Valerie Faris (Little Miss Sunshine, Ruby Sparks).

Battle of the Sexes is a classic character study and a great showcase for numerous incredible performances, led by Stone and Carell. Emma Stone disappears into her role, proving that she is one of the best actresses working in the business today. Her role as King isn’t imitation or caricature but rather a true interpretation by one artist of another. Steve Carell too is tough to spot in the charismatic Riggs, a feat for the performer who could’ve turned to other comedic performances to channel. Instead, his humor is met with a nuanced characterization of a man who understands what he is doing wrong yet cannot stop himself. It’s like he is watching a car accident, unable to turn away.

The screenplay comes from Simon Beaufoy (Slumdog Millionaire, Everest) and, for the most part, it is quite strong. I found the film dragging a bit in the second act, which could’ve been fixed easily in the editing bay or with a tightening of the script.

The director duo husband and wife that is Jonathan Dayton and Valerie Faris have delivered a film that feels like a documentary. The style and tone is something that could’ve come straight out of 1973. An event like this could very easily have turned satirical or lampoonish, and the filmmakers ride the line very well.

Battle of the Sexes is Emma Stone’s movie, and that’s a really good thing. In fact, this could be the best she’s ever been. That doesn’t excuse her costar Carell from an amazing turn as the showboating aging tennis star, but it just proves the acting caliber of the stars. If you get the chance, check out Battle of the Sexes while it’s still in theaters. This is one to watch come awards season.

 

4/5

-Kyle A. Goethe

 

 

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Billy Ray to Polish New Terminator Script

I’ve been asked a few times about the upcoming Terminator film from producer James Cameron and director Tim Miller, and to be honest, the reason we haven’t heard much on the film is that there isn’t much to tell. The writing process has been going well, and that’s that. So it is great news to hear that Billy Ray, known for Captain Phillips and State of Play, has been tasked to polish the script.

Cameron and Miller have already been joined by Justin Rhodes, Josh Friedman, and David S. Goyer in a writer’s room not unlike the Transformers one set up by Paramount a few years back (but hopefully this one will yield better results).

Not much is known about the project yet, other than Arnold Schwarzenegger and Linda Hamilton returning to the franchise. Cameron also previously said that the film will be a direct sequel to the second film, Judgment Day. Now, we don’t know if this is saying that it will retcon the previous three installments or just not reference them, but [SPOILER ALERT] Linda Hamilton’s Sarah Connor died after the second installment, but the Terminator franchise is very cyclical, so this is one franchise, like Star Trek, that could really work with a reboot.

I enjoyed Billy Ray’s work on Captain Phillips. The film was a gritty and intelligent film that stemmed from an intense screenplay. He is no stranger to franchise work with The Hunger Games under his belt too.

For me, Billy Ray has always been a realistic storyteller with strong dialogue. This is something that would fit right in with the Terminator franchise.

But what do you think? Are you at all excited for Terminator 6? Should it be retconned or just rebooted? Let me know/Drop a comment below!

 

-Kyle A. Goethe

 

 

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First Trailer for The Post Showcases Spielberg’s Incredible Leading Duo

So let’s talk The Post for a second. The Post is Steven Spielberg’s newest film, and it hits cinemas later this year with an Oscar-Contender release date. Well, a few months ago, this movie didn’t exist. Spielberg was in post-production for Ready Player One, and during that post-production, he took on a new project: The Post. The film was cast, shot, and edited during the post-production on Ready Player One and it is now poised to hit cinemas.

The first trailer just dropped.

The trailer doesn’t highlight a lot of plot details but instead focuses on its leading duo Meryl Streep and Tom Hanks. We get small glimpses of the supporting players as well, and the fact that Spielberg and his production were able to throw together such an exemplary cast and crew so quickly is just another sign of his prowess in the film community.

And the trailer looks good. With flavor reminiscent of Spotlight from a couple years back and a visual aesthetic that reminded me of All the President’s Men, The Post feels like a 1970s political thriller, something Spielberg could do very well if everything falls into place like it should.

As it stands right now, The Post feels like a solid Oscar contender and a great newspaper drama, something we as film fans don’t see a lot of anymore.

So what do you think? Are you excited to see The Post? Or are you just screaming for Ready Player One? Let me know/drop a comment below!

 

-Kyle A. Goethe

 

 

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Game Night Teaser Heightens the Insanity

So the teaser trailer for Game Night is out. The film, which stars Rachel McAdams and Jason Bateman, is about a group of friends who have a game night that evolves into a kidnapping and action-fueled murder mystery.

I had been reading about this film several months ago, but this trailer didn’t meet my expectations for the film. I had known about the plot and I felt it was very similar to a Steve Carell film called Date Night which came out a few years back. I expected this film to steadily increase in its preposterousness but it feels like Game Night begins at a level of silliness that it might be tough to come back from.

Personally, I’ve seen the way these films have played out and I’m not sure I want to see that again. Now, this is all from just a teaser trailer so I’m going to wait until the next trailer or marketing piece to see how it affects my enthusiasm, but for right now, I didn’t like this trailer.

But what did you think? Have you seen the trailer for Game Night? Will you be there opening weekend? Let me know/Drop a comment below!

 

-Kyle A. Goethe

 

 

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Replacing Spacey to Cost Millions

So, I’ve been fairly quiet on the whole explosion of sexual harassment allegations coming out of Hollywood over the past couple weeks. And I’m not here to talk about it today. This is a an area for movie news, and, at least for the time being, I’m not going to comment on it, other to say that, as a film fan, this is devastating and heartbreaking but the victims deserve to be heard.

Kevin Spacey is out of All the Money in the World, which is just insane. He is being replaced by actor Christopher Plummer as J. Paul Getty. What’s most shocking is that Kevin Spacey’s epic physical transformation and performance have been the highlight of all the marketing and a large portion of the Oscar push for the film. Christopher Plummer is an interesting choice, and he too is a fantastic actor, but are they going to apply make-up to him, or will they just let him perform? It’s clear that, even in the scenes of the film without Spacey, his look will still be all over the film, as in the bust of the infamous industrialist. This whole thing seems incredibly costly, and it indeed will be, according to an article from Variety.

Variety reports that the reshoots will add $10 million and will take 8-10 days to complete, and producers still expect to release the film on December 22.

This is perhaps the most insane fallout of these allegations that I’ve seen yet, and I think that Ridley Scott and the studio are making the most-fiscally responsible choice as keeping Spacey in the film will likely lose the studio more than the price tag of simply replacing him, and I myself was already planning on seeing All the Money in the World, but now I’m more interested to see how the finished film plays out.

So what do you think? Will you be seeing All the Money in the World in December? What are your thoughts on the inclusion of Christopher Plummer? Let me know/drop a comment below (but please, let’s keep this thing civil)!

 

-Kyle A. Goethe

 

 

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Box Office Report: Triple Threat Duking for #1, Flatliners is D.O.A.

Who can say for certain which film will come out on top this weekend. The contenders are:

-Doug Liman’s newest film American Made, starring Tom Cruise,

-Matthew Vaughn’s sequel Kingsman: The Golden Circle, and

-Andy Muschietti’s It, based on the Stephen King novel.

While American Made is a newcomer to this weekend, it hasn’t been making the splash many thought it could. This could be due to the poor reception to The Mummy, which also starred Cruise. The shift in the film world around blockbuster stars no longer having the kind of pull they once could. Director Liman has been working over two decades but doesn’t have the household name approval despite acclaim for his more recent work like Edge of Tomorrow.

Kingsman: The Golden Circle opened to lukewarm reception last weekend with many saying it was a major step down for the franchise from the universally loved first installment.

It is currently in its fourth weekend but continues to be a strong contender. Domestically, It is the fifth highest-grossing film of 2017 (the highest-grossing R-rated film) and the nation is currently on a King Renaissance, so there is no stopping this juggernaut.

All three films have been heading for roughly $16.5 million, and I’ve seen both American Made and It and enjoyed both, so I’m curious to see which one will walk away the victor here, but it is quite clear that the sequel to Flatliners, aptly-named Flatliners, will have a very weak opening weekend. The film, starring Ellen Page and Diego Luna, is dying in cinemas. Currently sitting at a 0% on Rotten Tomatoes, it isn’t surprising that the film is struggling considering the nonexistent marketing campaign for the film and the lack of press screenings. I mean, c’mon, even The Emoji Movie has defenders. Flatliners is currently trending to make $6 million this weekend.

What do you think? What film(s) are you seeing this weekend? Let me know/drop that comment below!

 

-Kyle A. Goethe

 

 

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Three Billboards Outside Ebbing, Missouri Wins Audience Award in Toronto

The newest film from writer/director Martin McDonagh, Three Billboards Outside Ebbing, Missouri, has won the Grolsch People’s Choice Award at the Toronto Film Festival. The award, an indicator of Oscar chances, sounds good news for McDonagh and his film.

Now, let’s be honest here. The Grolsch award is awarded based on people that bought a ticket and then put that ticket stub in a box after the film. There isn’t a lot of hardcoded deliberation. All that aside, I’ve been looking forward to seeing McDonagh’s latest as the trailers have all been unique and engaging. McDonagh, known for black comedies like In Bruges and Seven Psychopaths, has assembled a unique cast with Frances McDormand, Sam Rockwell, and Woody Harrelson and hits theaters in November.

I’m very excited to see this news, and while I don’t put much stock in the Grolsch as a Best Picture predictor, it is certainly nice to see this director getting some critical acclaim come the start of awards season.

What do you think? Have you seen the trailers for Three Billboards Outside Ebbing, Missouri? Will you be seeing it in November? Let me know/Drop a comment below!

 

-Kyle A. Goethe

 

 

James Cameron Slams Wonder Woman Praise

Okay, maybe not slams…

James Cameron is a terrific filmmaker but he suffers from regular foot-in-mouth disorder. Cameron recently called the praise for Wonder Woman “misguided” and “a step backward.”

Cameron added that he did like the movie, but he felt that Wonder Woman is still objectified. Cameron then decided to stroke his own ego by explaining that Sarah Connor, his character from The Terminator, is a strong independent female character.

The biggest issue here is that James Cameron doesn’t understand the superhero genre and Wonder Woman’s performance being a win, not just for the character, but for female directors everywhere. I think he sees her attire and calls it out, but he fails to see that Diana Prince regularly saves human lives without the need of a man, and that Chris Pine’s character becomes the male damsel-in-distress quite often. James Cameron fails to see a lot for a man who is so visionary.

Wonder Woman has become the highest-grossing film of all time directed by a woman, and it is still winning at the box office, essentially saving the DCEU from a critical standpoint. Directed by Patty Jenkins, the film has even garnered Oscar buzz, though I think that there’s no way of knowing yet if that’s likely.

I love James Cameron as a filmmaker, but sometimes he just needs to shut up.

What do you think? Was Wonder Woman a step backward? Is James Cameron right? Or are you on Team Jenkins?

 

-Kyle A. Goethe

 

 

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